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chorus

Elfen Lied OST - Lilium (SATB+Guitar)

tenphi

3:40	Est. Play Time
50	Measures
	1,227Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		16	2	5	7	100%
Classical Guitar		31	29	10	7	98%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		16	2	5	7	100%
Classical Guitar		31	29	10	7	98%
Bass		15	5	4	6	95%
Soprano		17	0	6	7	92%
Tenor		15	0	4	5	92%

Disney's Fantasmic SSATTB A Cappella

Tripp Carter

4:01	Est. Play Time
123	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		21	0	11	9	98%
Tenor		18	0	9	9	95%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		21	0	11	9	98%
Tenor		18	0	9	9	95%
		16	0	8	9	96%
Bass		18	1	8	9	91%
Soprano		20	0	10	9	86%
		18	0	8	10	83%

The Degradation of the Chorus

Jesse David Sykes

4:13	Est. Play Time
119	Measures
	2,721Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	29	8	6	62%
		19	13	5	4	63%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	29	8	6	62%
		19	13	5	4	63%
Bass		16	10	3	12	85%
Tenor		13	9	2	11	80%
Alto		11	0	1	10	79%
Soprano		19	2	3	9	78%

Pleasure is All Mine - Björk - A Cappella quartet

Blane Zhu

3:32	Est. Play Time
81	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		15	0	7	7	86%
Tenor		17	0	9	6	86%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		15	0	7	7	86%
Tenor		17	0	9	6	86%
Bass		17	0	5	5	77%
Voice		17	2	7	7	66%

Messiah| No.53: Worthy Is The Lamb That Was Slain

Pete Alan

6:24	Est. Play Time
146	Measures
	4,569Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		25	0	5	7	92%
Tenor		18	0	6	8	86%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		25	0	5	7	92%
Tenor		18	0	6	8	86%
Bass		14	0	3	8	84%
Violins 1		25	0	6	6	81%
Alto		14	0	3	8	79%
Violins 2		22	0	5	8	77%
Soprano		16	1	4	7	73%
Violas		20	0	5	8	73%
Double Basses		23	11	6	7	70%
C Trumpet I, II		13	0	1	8	54%
Timpani		2	0	0	8	34%

J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)

BSG

9:04	Est. Play Time
216	Measures
	5,056Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
Contrabass		22	0	6	4	100%
Vcl		22	0	6	4	100%
Alto		18	0	6	6	91%
Basso		19	0	6	5	86%
Soprano		14	0	4	6	78%
Tenor		14	0	4	5	75%
Trombone		17	1	6	6	53%
		21	8	6	5	57%
Viola		14	0	4	5	46%
Violin 2		17	0	6	6	44%
Bassoon		18	0	5	4	41%
Oboe		10	0	3	3	29%
Violin 1		9	0	2	1	27%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 9/16 Acte 1 : Finale

Papibois

10:18	Est. Play Time
264	Measures
	4,281Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
Adina		17	0	5	11	84%
Belcore		16	0	5	7	79%
Némorino		16	0	5	10	78%
Basse		14	0	2	8	77%
Ténor 1		17	0	3	8	77%
Ténor 2		13	0	2	8	77%
Giannetta		19	1	7	9	74%
Soprano 1		14	1	2	8	70%
Soprano 2		15	0	3	8	70%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 9/16 Acte 1 : Finale - BASSE

Papibois

10:18	Est. Play Time
264	Measures
	4,282Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
Adina		17	0	5	11	84%
Belcore		16	0	5	7	79%
Némorino		16	0	5	10	78%
Basse		14	0	6	8	77%
Tenor 1		17	0	3	8	77%
Tenor 2		13	0	2	8	77%
Giannetta		19	1	7	9	74%
Soprano 1		14	1	2	8	70%
Soprano 2		15	0	3	8	70%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 9/16 Acte 1 : Finale

Papibois

10:18	Est. Play Time
264	Measures
	4,281Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
Adina		17	0	5	11	84%
Belcore		16	0	5	7	79%
Némorino		16	0	5	10	78%
Basse		14	0	2	8	77%
Ténor 1		17	0	3	8	77%
Ténor 2		13	0	2	8	77%
Giannetta		19	1	7	9	74%
Soprano 1		14	1	2	8	70%
Soprano 2		15	0	3	8	70%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 9/16 Acte 1 : Finale - TENOR 2

Papibois

10:18	Est. Play Time
264	Measures
	4,281Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
Adina		17	0	5	11	84%
Belcore		16	0	5	7	79%
Némorino		16	0	5	10	78%
Basse		14	0	6	8	77%
Tenor 1		17	0	3	8	77%
Tenor 2		13	0	2	8	77%
Giannetta		19	1	7	9	74%
Soprano 1		14	1	2	8	70%
Soprano 2		15	0	3	8	70%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 9/16 Acte 1 : Finale - SOPRANO 2

Papibois

10:18	Est. Play Time
264	Measures
	4,281Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
Adina		17	0	5	11	84%
Belcore		16	0	5	7	79%
Némorino		16	0	5	10	78%
Basse		14	0	6	8	77%
Tenor 1		17	0	3	8	77%
Tenor 2		13	0	2	8	77%
Giannetta		19	1	7	9	74%
Soprano 1		14	1	2	8	70%
Soprano 2		15	0	3	8	70%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 9/16 Acte 1 : Finale - SOPRANO 1

Papibois

10:18	Est. Play Time
264	Measures
	4,281Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
Adina		17	0	5	11	84%
Belcore		16	0	5	7	79%
Némorino		16	0	5	10	78%
Basse		14	0	6	8	77%
Tenor 1		17	0	3	8	77%
Tenor 2		13	0	2	8	77%
Giannetta		19	1	7	9	74%
Soprano 1		14	1	2	8	70%
Soprano 2		15	0	3	8	70%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 9/16 Acte 1 : Finale - TENOR 1

Papibois

10:18	Est. Play Time
264	Measures
	4,281Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	75	12	9	96%
		32	59	12	8	99%
Adina		17	0	5	11	84%
Belcore		16	0	5	7	79%
Némorino		16	0	5	10	78%
Basse		14	0	6	8	77%
Tenor 1		17	0	3	8	77%
Tenor 2		13	0	2	8	77%
Giannetta		19	1	7	9	74%
Soprano 1		14	1	2	8	70%
Soprano 2		15	0	3	8	70%

HWV56N04 - Messiah - And the Glory of the Lord

edward.maurath

5:54	Est. Play Time
138	Measures
	1,883Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		17	74	3	5	98%
		16	41	2	4	94%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		17	74	3	5	98%
		16	41	2	4	94%
Cello		22	1	4	5	98%
Violone		22	1	4	5	98%
Violin 2		19	1	3	6	79%
Bassoon		17	0	4	4	78%
Oboi		15	2	2	5	77%
Viola		17	0	4	4	77%
Alti		11	1	2	5	75%
Violin 1		17	0	2	6	75%
Tenori		11	0	2	5	72%
Bassoon Continuo		22	0	4	4	72%
Bassi		16	0	3	4	63%
Soprani		13	0	2	5	63%

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